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Letter "M" » Mike Newell Quotes
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«it was a thriller.»
Author: Mike Newell
«As soon as I could see that, I felt that I could stay true to the book and at the same time keep the length down.»
Author: Mike Newell
«Harry Potter & Goblet of Fire»
Author: Mike Newell
«[A lot has changed for him since he first picked up a wand. He has got taller and lost his round little-boy's face. He has gone through puberty, and his voice has broken. He's dealing with some complexion issues, and he's working on some beginner's stubble. For Goblet director Mike Newell, shooting him is like shooting a moving target.] I've just been working on a scene which we shot in our first week, and Dan still looks the little kid that he was in Sorcerer's Stone, ... Now, 11 months later, he doesn't look like that at all. And that scene of him comes two-thirds of the way through the movie. So he starts as a kid of 15, then he gets younger, then he gets older, then he gets younger.»
Author: Mike Newell
«They all know exactly what they're worth,»
Author: Mike Newell
«When the kids were small, you had to tell them what to do, ... But now that they're older, you have to challenge them. They have to improvise. They have to bring themselves into it. Otherwise, it doesn't have any life in it. They had to act , and acting is not doing what somebody tells you.»
Author: Mike Newell
«What he said was 'You must read the book and if you find a way of doing the book, then you must tell us what that is. You mustn't come because it's a franchise. You mustn't come because it's the most famous children's film that's ever been. You mustn't come for this that and the other reason. You've got to be able to see how to make a 750-page book into a single movie,'»
Author: Mike Newell
«I was daunted, and I was also ill-tempered,»
Author: Mike Newell
«I didn't want this film to become simply a kind of showcase for these effects. I wanted everything to be solidified around this central dramatic drive. This stuff seemed to have a life of its own and was going to go where it wanted to go, and I had to devise ways in which I could stop it, and it could go where I wanted it to go. It's simply a matter really of an understanding between the people involved. So often, those people do glorious work. It's just that it isn't connected to the main film. It somehow stands aside from it. I hope we avoided that on this.»
Author: Mike Newell
«It wasn't possible for them to get that right. They'd never been to such a school,»
Author: Mike Newell
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